Pass Christian Books will host the Mississippi Book Festival kick off on September 12, 2024 at 6:30 pm. Join us in celebrating the Mississippi Gulf Coast and the literary excellence inspired by our beautiful home. Barb Johnson, writer and editor of Bayou Magazine out of New Orleans, will whet your appetite with her review of Minrose Gwin’s Beautiful Dreamers.
- By Barb Johnson There, her lifelong friend, Mac, provides physical and social refuge and some much-needed relief from the constraints of small-town life. Mem tells the story as a grown woman, a biologist now, looking back. In Belle Cote, neither Mem, nor her divorced mother, nor their gay friend, Mac, are accepted by the town, which doesn’t much bother Mem. She is quite happy with her little family of misfits, buoyed by the love and security that Mac and her mother provide. Just when she thinks things couldn’t be better, along comes the beautiful and charming Tony Amato to be Mac’s dreamy lover. And it is Tony who will light the fuse of a powder keg of betrayal that only the cat knows they’re sitting on. One night well into Tony’s erratic tenure in the household, Mem is waiting up for him and her mother, who have been out very late. She’s trying to piece together the truth about their relationship. Truth, in general, is difficult to come by at this point, and Mem is looking for signs of something, though she’s not sure what.
Unlike the other characters, who are smitten with the gorgeous, charming Tony, the reader, like the cat, like anyone standing on the outside, quickly senses Tony’s duplicity, the danger of his company. The task of figuring out exactly what is real and what is not takes the entire novel to complete, and this makes for a tense, satisfying plot packed with reversals.
Those familiar with coastal Mississippi will recognize the location of the fictitious Belle Cote for its proximity to Bay St. Louis and Pass Christian. New Orleans and the French Quarter also play a pivotal role here, as the members of the crumbling family visit the Quarter in various combinations to be who they cannot be in the oppressive Belle Cote. In New Orleans there is music and dancing, oysters, and cocktails at the rotating bar of the Monteleone Hotel. But it’s not all fun and games in New Orleans. At one point, Mem and her mother are walking back to their hotel with Mac and some of his (gay) friends when a carload of men (friends of the deeply closeted Tony?) chases them, trying to run over and shoot them. What was unexpected and deeply delightful in this novel, though, are the meditations that Mem has concerning the natural and human history of the Mississippi Sound. When asked, “What are your enthusiasms?” Mem launches into a description of her interactions with the natural world:
So, not your typical kid, Mem. Nonetheless, her enthusiasms serve to keep the social and environmental volatility of the Gulf Coast front and center in the reader’s mind. This is, in many respects, an ecological novel. Gwin subtly capitalizes on the inherent similarities between being emotionally and ecologically vulnerable. Forming a powerful backdrop for this tale of betrayal is the flora and fauna of an area susceptible to the threats of hurricanes and flooding and the rapid loss of coastline, and thus the loss of the species who inhabit those places. Add to that environment four outsiders, organisms like any other, thriving and then going extinct, plagued by relationships that look like commensalism but turn out to be parasitism. Toward the end of the book, a grown Mem wonders, How much behavior is learned? How much embedded in the DNA structures, the silent tick-tock that makes up the creature? This is a work that deftly combines a page-turning plot about civil rights, love, longing, and betrayal with an examination of life’s larger questions.
Barb Johnson’s work has appeared in such magazines as Guernica, The Southern Review, Baltimore Review, and Oxford American, as well as in a number of anthologies, including The Booklover's Guide to New Orleans. She is the author of the award-winning short story collection, More of This World or Maybe Another and teaches fiction writing in the MFA program at the University of New Orleans, where she is the editor-in-chief for Bayou Magazine.
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